Summer of the Gypsy Moths, by Sara Pennypacker

Stella is spending the summer living with her Great Aunt Louise on the Cape.  She is going to help Louise tend to the summer cottages adjacent to her little house.  Louise isn't a big one on emotion, and Stella is surprised when after talking to Louise about her mother and blueberries, Louise wraps her in a hug.  This pleases Stella, because she loves the idea of ties between people.  Since her own mother isn't exactly dependable, Stella likes the even nature of Louise and her clean house and tidy garden.  She even is trying to find a way to get along with foster kid Angel, who Louise took in thinking could keep Stella company. The two girls couldn't be more different, and Stella can't imagine why Louise thought having two girls was a good idea.

The thing is, Louise is older and she's not well.  Angel and Stella make a gruesome discovery when they come home from school one day, and they have some heavy choices to make.  Can they make a go of the summer on their own?  Should Angel run?  What will happen if folks find out they are living without any adult supervision?  And what are they going to tell George - the local who is supposed to help Louise take care of the rentals?  Most importantly, what are they going to do with Louise?

The girls decide to make a go of it, and have to figure out a way to get along.  Their differences turn out to be a good thing as Stella could use some fire and Angel could use some forethought.  Readers see the girls deal with bills, finding food, lying about Louise's whereabouts, and dealing with their own guilt.  All of this is wrapped up in Sara Pennypacker's rich prose, describing the Cape, the cottages, the beach, as well as the interconnected nature of life.  "I like to imagine the ties between us as strands of spider silk: practically invisible, maybe, but strong as steel.  I figure the trick is to spin out enough of them to weave ourselves into a net." (p.1)

Readers will be left wondering what they would do if they were ever in Stella and Angel's  predicament.   Honestly at first, I was wondering who I would give this book to.  It's clearly not for the same audience as Clementine.  There are heady issues in Summer of the Gypsy Moths, and at times the bigger ideas are a little scary.  Ultimately, however, this is a story of friendship, survival and hope, and thoughtful tweens will be ready for the serious nature of Stella and Angel's situation.

The Kneebone Boy, by Ellen Potter

As fellow readers, I am sure that some of you have experienced this. The siren song of a book simply from title and cover art alone. This was my initial experience with The Kneebone Boy by Ellen Potter. Now, I have enjoyed Potter’s work in the past, so I wasn’t worried at all about experiencing the dreaded feeling of, “but I wanted to like this book!” that happens when readers fall for covers and titles sometimes. From the creepy dark haired young children staring out with their older blond brother wrapped in a scarf and holding a cat, to the bare feet hanging from the tree, I was simply intrigued.

Upon opening the arc, I was greeted with Chapter 1 followed by a bit of foreshadowing of the upcoming chapter: “In which we meet the Hardscrabbles, unearth a triceratops bone, and begin to like Lucia even more.” The Hardscrabbles are siblings Otto, Lucia and Max, who all live in the town of Little Tunks with their artist father Casper. Their mum is simply gone. She had been there, then she wasn’t. As in most small towns, the rumours began to spread…especially when Otto gives up talking aloud (he has invented a sort of sign language that he and Lucia use) and takes to wearing his mum’s scarf everywhere.

Casper is a peculiar sort of artist in that he paints portraits of royalty…exclusively exiled royalty. Casper says, "...there is something extraordinary about the face of a person who has fallen from greatness. They remind me of angels tossed out of heaven who are now struggling to manage the coin-operated washing machine at the Scrubbly-Bubbly Laundromat" (arc p.23) As you can imagine, exiled royals are not big on settling up their bills, so the Hardscrabbles don't live a luxurious existence by any means, and it means that their father is often traveling to wherever it is that the exiles are.

Usually when their dad goes away, the children stay with kooky Mrs. Carnival from down the way, but this time Casper tells them that they are to stay with their cousin Angela in London. Lucia especially is quite excited about this turn of events, and some time in London would be great if cousin Angela were actually at home.  Stuck on their own in London, the kids come up with a plan that doesn't involve staying back in Little Tunks with Mrs. Carnival.  Instead of trying to head home, the kids go on another adventure to find their Great Aunt Haddie in Snoring-by-the-Sea.

It turns out that not-so-old Haddie is renting a castle folly that is chock-full of its own secrets, including the entrance (a Tyrolean traverse), a parent castle (named the Kneebone Castle), and some pretty interesting rats.

I don’t want to go too deeply into the plot and get all spoiler-y. Suffice it to say there are some twists and turns that will make readers want to start flipping back through the text looking for clues. From the beginning where readers are told that the narrator is one of the Hardscrabbles, but not which one, to the very big reveal, Potter has woven together a plot that flows pretty seamlessly. The characters are all well developed (I grew particularly fond of Otto) and their personalities will draw readers in. This is the kind of book that captures readers at the beginning and keeps them in its thrall all the way through. Emily Reads captures the essence in her haiku review found here.

The Locked Garden

I received this book a few months ago, was intrigued by the cover and read it straight away. The discipline level it takes to not blog the '09s until '09 is pretty high. But since I am trying to play by the rules, I waited. It took me until almost the end of January to realize that I have a pile of stuff to get blogging about!

Verna, Carly, Aunt Maude and Papa have just moved into their new home on the grounds of an asylum. Papa is a well known psychiatrist, and he has very strong views on the treatment of the mentally ill. He is very happy to move his family to be among somewhat like minded doctors. The asylum and its grounds are a wonderful playground for the girls. The grounds and gardens go on and on, and there are many places to explore.

Sour Aunt Maude is the only one who is against this move. She is, after all, the sister of Isabel...the girl's mother and Papa's wife who passed away 2 years ago. Aunt Maude was against selling the house, against living on the grounds of the asylum, and most definite against having one of the patients keep house.

Eleanor is a patient, and it is her job to cook and clean for Papa's house. Aunt Maude is not kind in her treatment of Eleanor, and even though Eleanor's cleaning is impeccable and her food is delicious, Aunt Maude always seems to find fault. Imagine Aunt Maude's feelings when it becomes apparent that Verna and Carly prefer Eleanor's company to her own, and her brother-in-law appears smitten with Eleanor.

Gloria Whelan has written a story that explores not only family ties, but the historical treatment of the mentally ill, and she has done it in an incredibly accessible manner. The unlikable Aunt Maude struggles mightily with her sense of decorum and propriety, and it is apparent that she honestly thinks that she knows best. Readers will feel their heart strings pulled to the limit as Eleanor falters in her recovery and is misunderstood by her own family, due in large part to the meddlesome Aunt Maude.

Quietly poignant, The Locked Garden's descriptive language, and time setting of the early 1900s will find readers in fans of Creech, Jocelyn, and MacLachlan, among others.